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Sony HDW-F900R
HD CineAlta
camcorder, offering 2.2 million pixels per colour, HDCAM recording and
switchable between multiple frame rates including 50i, 24P and 25P. Viewfinder
not supplied.
Sony HDCAM
has become firmly established as the de-facto High Definition (HD) production
format worldwide, with a unique track record for production of the highest
quality programming. Much of this reputation has been built upon the HDW-F900,
the world's first 24P CineAlta HD camcorder, which received a Primetime Emmy®
Engineering Award in 2004.
For 2006 Sony has developed the HDW-F900R, the successor model to the HDW-F900.
This new camcorder represents the flagship model within the HDCAM line-up, and
has been designed for productions such as drama, commercials and feature films
where a prestige 24P look is required.
The HDW-F900R combines the imaging performance of the original HDW-F900 in a
smaller, lighter chassis. Power consumption has been reduced, new features have
been added and the new camcorder meets the latest EU environmental legislation.
The HDW-F900R features 12-bit A/D conversion, can record four channels of
digital audio and provides HD-SDI output as standard. It joins the HDW-730S,
HDW-750P and HDW-750PC camcorders within the HDCAM line-up.
The HDW-F900R is supplied without a viewfinder. The picture shows the camcorder
fitted with an optional HDVF-C30W HD LCD colour viewfinder.
Superb
High Definition pictures
The HDW-F900R acquires pictures in 1080-line resolution, providing an
unforgettable High Definition viewing experience for your audience.
Increased marketability of your programmes
HDCAM has achieved an enviable reputation for quality, and programmes shot in
HDCAM are accepted by many of the world's most prestigious broadcasters.
Shooting in HDCAM, especially at the internationally accepted frame rate of
24P, opens up new opportunities for international co-production and
distribution.
Peace of mind for High Definition post production
Over 27,000 HDCAM VTRs and camcorders are in use worldwide, and the number of
post houses equipped with HDCAM grows every day. You can relax in the knowledge
that there is an HDCAM facility close by to add the finishing touches to your
project.
Easy integration with Standard Definition
Today more and more programme makers are shooting HDCAM, with many of them
using existing SD suites for post production. This approach provides many
advantages. These include the lower cost associated with SD post production,
and the benefit of retaining an exceptionally high quality HDCAM original recording
for future distribution opportunities. And even when downconverted to SD,
pictures from HDCAM camcorders will look noticably better than those originated
in SD.
Differentiation in a crowded market
The original HDW-F900 built an unrivalled reputation around the world for the
production of the very best in quality programming, helping establish HDCAM as
the preferred High Definition format worldwide. In today's multi-channel world,
shooting with the HDW-F900R ensures that your pictures stand out to grab the
attention of the viewers, essential in today's multi-channel environment.
Ease-of-use for minimum re-training
The latest in a long line of digital camcorders from Sony, the HDW-F900R
retains the ergonomic design and familiar operation for which Sony camcorders
have become renowned. With the HDW-F900R, you avoid expensive operational
retraining and can generate great pictures from day one.
HAD
sensor technology
The HDW-F900R uses Hyper HAD sensor technology incorporating the latest FIT
sensor and on-chip lens structure. Three 2/3-inch FIT CCDs each with 2.2
million-pixels provide excellent imaging quality acquiring pictures at 1920 x
1080 CIF (Common Interchange Format) resolution.
12 bit ADSP
12 bit A/D conversion and advanced digital signal processing ensures excellent
tonal reproduction, for the most demanding applications.
Choice of Multiple frame rates
You can select from a number of frame rates to match the required look for each
production. 50i and 59.94i can be selected to acquire interlaced "TV
look" pictures, with 23.98P, 24P, 25P and 29.97P also available for
"film look" (progressive) images. Please note that 30P and 60i modes
are not supported.
TruEye Processing
TruEye virtually eliminates hue distortion, especially in extreme lighting
conditions. TruEye processes videa data in a similar way to the human eye -
processing brightness, hue and saturation. This significantly improves the
reproduction of natural skin tones.
Multi Matrix
Multi Matrix provides further in-camera creative control and can be used to
match colourimetry during multiple camcorder shoots. It is also effective for
manipulating the hue and saturation of specific selected colours within a
scene. One example would be to adjust the hue and saturation of a flower petal
without changing other colours within the picture.
Auto Trace White
Auto Trace White (ATW) is a feature that automatically adjusts the white
balance as lighting conditions change. This is ideal when shooting in rapidly
changing lighting conditions (for example, when moving from an indoor to an
outdoor location). Conventional Auto White Balance is also available.
Creative control with User Gamma
The CvpFileEditor can be used with the HDW-F900R for creation of custom gamma
curves. Existing gamma curves, generated for use with the original HDW-F900 can
also be applied.
Long record duration onto HDCAM cassettes
The HDW-F900R records up to 50 minutes onto a small HDCAM tape when shooting in
24P mode. Maximum record durations at 50i and 59.94i are 48 minutes and 40
minutes.
Dual optical filter wheel
The HDW-F900R is equipped with dual optical filter wheels. You can choose from
the following Neutral Density (ND) settings: CLEAR, 1/4ND, 1/16ND and 1/64ND,
and the following Colour Correction (CC) settings A:5600K, B:3200K, C:4300K and
D:6300K.
Optional HD to SD down conversion
The HKDW-702 HD to SD downconverter option used with the HDW-730S and HDW-750P
HDCAM camcorders can be used with the HDW-F900R. SDI or analogue VBS can be
output from the camcorder when this option is fitted. Alternatively, the new
HKDW-902R board can be installed. In addition to downconvertion, 2-3 pulldown
is supported which allows NTSC monitoring at 59.94i when the camcorder is
running at 23.98PsF.
Slow Shutter and Image Inversion
The new HKDW-905R option can be installed into the HDW-F900R to add slow
shutter capability (up to 64 frames) and image inversion. The slow shutter
feature can be used to either boost sensitivity or to enable motion blur to be
used as a creative tool. Image inversion allows the camcorder to be used with a
wider range of anamorphic and film.
Picture Cache Recording
It's always annoying to miss a great shot, especially when shooting wildlife
footage. Picture cache recording provides an additional chance to capture the
action even if it occurred before the REC button was pressed. An optional
HKDW-703 can be installed into the camcorder to provide this feature. This
allows you to capture up to 8 seconds of material immediately before you press
the record button.
Time Lapse
The HKDW-703 also provides Time Lapse (Interval) Recording. In MANUAL mode, 1
to 8 frames are recorded each time the REC button is pressed. In AUTO mode, the
overall recording time is set (e.g. 10 minutes) along with the playback time on
tape (e.g. 10 seconds). Using the picture cache to achieve Time Lapse reduces
the mechanical wear to the record mechanism.
More choices for signal output
The HDW-F900R is equipped with two HD-SDI outputs as standard, allowing high
definition pictures to be monitored directly on-site without the need for an
additional adapter. One of these outputs can be switched to standard definition
when the camcorder is fitted with an optional HKDW-702 or HKDW-902R board.
Same optical axis as the original HDW-F900
The HDW-F900R uses the same optical axis as the original HDW-F900. The lens
accessories developed for the HDW-F900 can be used without modification.
Great audio performance
Four channels of digital audio can be input to the HDW-F900R via two XLR
inputs. Each XLR receives 2 channels of AES/EBU audio data at 20 bits
resolution.
Slot-in wireless receiver
You can slot a Sony wireless receiver directly into the chassis of the
HDW-750P. This adds wireless receiver functionality without compromising the
compact ergonomic design of the camcorder. A Sony WRR-855A/B can be used.
Rugged and ergonomic design
The design of the HDW-F900R is based on years of Sony experience in camera
design and provides a high level of mobility and balance to minimise fatigue in
all shooting conditions. Combined with the viewfinder, battery, cassette and
microphone, the total weight is only 5.4 Kg.
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| Technische
Daten: Sony HDW-F900R |
| GENERAL |
| Mass |
5.4 kg (11 lb.
14 oz) with typical ENG lens, cassette and BP-GL95 Battery |
| Power
requirement |
DC 12 V (+5.0
V/-1.0 V) |
| Power
consumption |
38 W (With 12
V power supply, REC mode, with HDVF-20A) |
| Operating
temperature |
0 °C to +40 °C
(+32 °F to +104 °F) |
| Storage
temperature |
-20 °C to +60
°C (-4 °F to +140 °F) |
| Operating
humidity |
25 % to 85 %
(Relative humidity) |
| Continuous
operating time |
110 min (With
BP-GL95) |
| INPUT/OUTPUT |
| Genlock video
input |
BNC, 1.0 Vp-p,
75 Ω |
| Time code
input |
BNC, 0.5 V to
18 Vp-p, 10 kΩ |
| Audio CH1/CH2
input |
XLR-3-pin type
(Female), -60 dBu/-50 dBu /-40 dBu/+4 dBu/AES/EBU |
| MIC input |
XLR-5-pin type
(Female), -60 dBu/-50 dBu /-40 dBu LPF 14 kHz: -8 dB |
| Test output |
BNC (1), 1.0
Vp-p, 75 Ω, unbalanced |
| HD-SDI output |
BNC (2), 0.8
Vp-p, unbalanced |
| Audio output |
XLR-5-pin type
(Male), 0 dBm |
| Time code
output |
BNC, 1.0 Vp-p,
75 Ω |
| Earphone |
Mini-jack, 8 Ω,-∞ to –18 dBs variable |
| DC input |
XLR-4-pin type
(Male), 11 to 17 V DC |
| DC output |
11 to 17 V DC,
Max. 100 mA |
| Lens |
12-pin |
| Remote |
8-pin |
| VTR SECTION |
| Recording
format |
HDCAM |
| Tape speed |
Approx. 77.4
mm/s (24P mode) |
| Playback/Recording
time |
40 min
(59.94i, 29.97P), 48 min (50i,25P), 50 min (24P, 23.98P), with BCT-40HD |
| Fast
forward/rewind time |
5 min with
BCT-40HD |
| Recommended
tape |
Sony
BCT-6HD/12HD/22HD/32HD/40HD |
| Sampling
frequency |
Y: 74.25 MHz,
PB/PR: 37.125 MHz |
| Quantisation |
12 bit/sample
of input-output signals (8 bit sample for internal compression process) |
| Error
correction |
Reed-Solomon
code |
| Error
concealment |
Adaptive three
dimensional |
| AUDIO
PERFORMANCE (PLAYBACK WITH STANDARD HDW-F500) |
| Frequency
response |
20 Hz to 20
kHz, +0.5 dB/-0.8 dB |
| Dynamic range |
More than 85
dB (Emphasis ON) |
| Distortion |
0.08 % Max. |
| Cross talk |
-70 dB |
| Wow &
flutter |
Below
measurable limit |
| CAMERA SECTION |
| Pickup device |
3-chip
2/3-type FIT CCD |
| Picture
elements (H x V) |
1920 x 1080 |
| Optical system |
F1.4 prism
system |
| Built-in
filters |
A: 5600 K B:
3200 K C: 4300 K D: 6300 K 1: Clear 2: 1/4 ND 3: 1/16 ND 4: 1/64 ND |
| Shutter speed
(1080/24P mode) |
1/32, 1/48,
1/50, 1/60, 1/96, 1/125, 1/250, 1/500, 1/1000 (s) |
| Clear scan |
(ECS) 24 to
7000 Hz (Minimum setting depends on frame rate selected) |
| Lens mount |
Special
bayonet mount |
| Sensitivity |
f10.0 at 2000
lux, 89.9 % reflective, At 24 fps, with a 1/48-second shutter speed
(equivalent to a 180º film camera shutter setting), the exposure index is approximately
equivalent to 300 ISO |
| SUPPLIED
ACCESSORIES |
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Microphone,
Super cardioid directional, external power supply type (1) XLR connector
cover (4) Shoulder strap (1) Operation guide (1) Operation manual (1)
Operation manual CD-ROM (1) |
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